Contemporary Fiber: Breaking Tradition
April 11, 2015 - May 11, 2015
This exhibition showcased the varied styles and approaches often prominent fiber artists—Beth Carney, Linda Colsh, Jane Dunnewold, Valerie Goodwin, Meredith Grimsley, Kate Pasquini- Masopust, Mary Pal, Susan Shie, Kate Themel, and Paula Swett. These artists blended tradition with a contemporary perspective that illustrated the uniquely intimate power of fiber to communicate.
Catalyst: Leaving a Lasting Impression
January 17, 2015 - February 22, 2015
This exhibition features the artwork of 36 artists from around the country.
Their work represents a wide variety of artistic disciplines, including sculpture, glass, ceramics, fiber, drawing, printmaking, painting and mixed media.
Among this grouping, there are smaller communities of artists who have influenced each other in their development.
This exhibition showcases the aesthetic relationship of the mentor/mentee in expected and unexpected ways.
Sixth Annual Juried Figurative Drawing and Painting Exhibition
October 18, 2014 - December 5, 2014
This is a national visual art competition and exhibition of contemporary figurative painting, drawing and printmaking. This year’s juror was Pamela Wilson, a figurative painter and art educator working and living in Santa Barbara, Calif. Pamela selected the works in the exhibition and announced the following awards during her gallery talk at the opening reception:
1st Prize: Wave, by Joseph A. Miller
2nd Prize: Packages Series: Strip Loin, by Chris Valle
3rd Prize: Flamingo's Den, by Joel Dugan
4th Prize: Masquerade, by Michael Nolan
5th Prize: Natalie, by Julia Clift
Between Midnight and Dawn, Midcentury Noir and Crime Film Posters
August 30, 2014 - October 3, 2014
The movie posters included in this exhibition (from the personal collections of Mark Fertig and Eddie Muller) are all theater-used originals from the 1940s and 1950s. They have been deacidified, archivally mounted to acid-free Japanese paper and cotton canvas, and touched up with water-reversible pigments in order to restore them to their original appearance and preserve them for the future. They offer insight not only into Hollywood movie marketing techniques, but also into the gun-waving, cigarette-smoking, fedora-wearing, loot-grabbing, back-stabbing, car-crashing, legs-showing, bare-knuckled glorious iconography of the film noir style. These “one-sheets” offer up a bank vault’s worth of midcentury art and design, featuring stunning illustration, photography, and typography, all too often created in anonymity by studio-employed artists who were unfortunately not permitted to sign their work.
Eddie Muller is a novelist, filmmaker, historian and Turner Classic Movies host. Widely celebrated as the “Czar of Noir,” Muller is the author of three seminal books on the subject and has provided commentaries on countless film noir DVDs. As founder and president of the Film Noir Foundation, he organizes annual “Noir City” film festivals in cities across the country, and works tirelessly to rescue and preserve America’s noir heritage. Muller gave an interesting, informative gallery talk at the opening reception.
Mark Fertig, exhibition curator, is chair of the department of art at Susquehanna University and associate professor of graphic design.