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Creative Writing

at the Writers Institute

Creative Writing Degree

The art of bringing words to life.

In joining the creative writing major at Susquehanna University’s Writers Institute, you become a part of both an artistic program and a literary community that the Princeton Review has called “top-notch.” Here, you’ll refine your voice among students and teachers and writers and editors and friends.

You will hone your craft in classes with award-winning teachers who write and publish novels, poems, stories, essays, choreopoems, graphic creative nonfiction and memoirs.

You’ll find poetry slams. Readings by internationally-known writers. Book clubs. Magazine launch parties. Conferences for young writers and editors.

“Susquehanna’s writing program is extraordinary in every way — I’ve never seen anything like it. This is a rare and wondrous place.”

— Lia Purpura, Guggenheim Fellow, author of On Looking and Rough Likeness

You’ll have the opportunity to publish your own writing in our seven student-run publications. You can work as a literary arts intern, designer or editor. Before you graduate, you will give a reading, participate in a professional internship and produce a chapbook of your original, creative work.

Here, we read, listen and write among friends. Here, you’ll bring words to life.

The WRiters Institute

Nestled in the heart of campus, Susquehanna University’s Writers Institute transcends the typical academic space.

The Writers Institute is dedicated to fostering a robust and supportive writing community through a diverse array of enriching programs and impactful events.

Two people are sitting in a cozy reading room with bookshelves. One is on the left in an armchair, engrossed in creative writing while holding a plush toy. The other, wearing a green shirt, is reading a book on the right. A typewriter and plants are scattered around them.
A woman with braided hair speaks to two students in a classroom, gesturing with her hands as she discusses academics. A chalkboard with writing is visible in the background while the students listen attentively.

Awards That Follow Your Passion

Earn More Than a Degree

Our Creative Writing program celebrates and supports student achievement with a range of prestigious awards and scholarships available after enrollment. These include the Gary and Elizabeth Fincke Portfolio Prize, Juliet Gibson Memorial Prize, Kirkland Essay Prize, Janet C. Weis Prize for Literary Excellence, Fine Arts Work Center Scholarships, and more. We recognize exceptional work and provide both recognition and support as students grow within the program.

More Than Metrics

100%

of creative writing faculty have published at least one book

95%+

of alumni find writing-related work within a year after graduation

100%

of students intern with a literary arts-affiliated organization

Explore Your Studies

Program Resources

A Glance Into Your Degree Pathway

With support from advisors and course planning tools, your time at Susquehanna is carefully designed to help you succeed. This example provides a glimpse into your degree experience, but you’ll have plenty of opportunities to customize your path with electives or study abroad programs that reflect your passions and career goals.

First Year – Fall Semester
Code
Title
Credits
WRIT 251
Introduction to Fiction
4
4
Introductory workshop course in the study and practice of fiction. 4 SH. CC: Team Intensive, Writing Intensive.
First Year – Spring Semester
Code
Title
Credits
WRIT 252
Introduction to Poetry
4
4

Introductory workshop course in the study and practice of poetry. 4 SH. CC: Team Intensive, Writing Intensive.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Second Year – Fall Semester
Code
Title
Credits
WRIT 253
Introduction to Creative Nonfiction
4
4

Introductory workshop course in the study and practice of creative nonfiction. 4 SH. CC: Team Intensive, Writing Intensive.

ENGL 290
Aesthetics and Interpretation
4
4

Intensive and advanced study of reading and writing about literature. Includes close analysis of literary texts in historic, generic and cultural contexts; study of research methods and writing the research paper; and attention to traditional and recent critical theory. Prerequisite: English or creative writing major or sophomore standing. 4 SH. CC: Artistic Expression, Interdisciplinary, Writing Intensive.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Second Year – Spring Semester
Code
Title
Credits
WRIT 351
Intermediate Fiction
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere. This course builds upon what students learned in WRIT-250 Introduction to Fiction. It includes intensive reading of fiction. Special emphasis on the development of a body of work. Prerequisite: WRIT-251 or instructor’s permission. 4 SH. CC: Team Intensive, Writing Intensive. May be repeated as long as the topic changes.

ENGL 265
Critical Surveys in Forms of Writing
4
4

Courses designed to examine both the formal characteristics of a particular genre and its historical development. Focus of a particular section may be the novel, the short story, drama, poetry, the essay, memoir, epic or popular writing. Prerequisite: English or creative writing major or sophomore standing. 4 SH. CC: Diversity Intensive, Literary Expression, Writing Intensive.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Third Year – Fall Semester
Code
Title
Credits
WRIT 352
Intermediate Poetry
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere. This course builds upon what students learned in WRIT-250 Introduction to Poetry. It includes intensive reading of poetry. Special emphasis on the development of a body of work. Prerequisite: WRIT-252 or instructor’s permission. 4 SH. CC: Team Intensive, Writing Intensive. May be repeated as long as the topic changes.

ENGL 350
Studies in Major Authors
4
4

A study of literary works by a single author or perhaps of two writers whose works may be studied in tandem. By reading a number of texts by a single author, students will come to understand individual works better and will gain insight into the author’s particular vision and sense of literary craft. Offerings are likely to include Chaucer, Shakespeare, Milton, Twain, Austen, Dickinson and Morrison. 4 SH. CC: Writing Intensive.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Third Year – Spring Semester
Code
Title
Credits
ENGL 265
Critical Surveys in Forms of Writing
4
4

Courses designed to examine both the formal characteristics of a particular genre and its historical development. Focus of a particular section may be the novel, the short story, drama, poetry, the essay, memoir, epic or popular writing. Prerequisite: English or creative writing major or sophomore standing. 4 SH. CC: Diversity Intensive, Literary Expression, Writing Intensive.

WRIT 540
Internship
1
1

Research, writing and editing for various public and private organizations, and various on and off campus publications. Open only when positions are available. 2-4 SH.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Fourth Year – Fall Semester
Code
Title
Credits
WRIT 451
Advanced Fiction
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere, along with intensive reading in fiction. Special emphasis on the development of a significant body of work in preparation for an understanding of what is required to write a fiction book. Prerequisite: WRIT-351 or instructor’s permission. 4 SH. May be repeated.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Fourth Year – Spring Semester
Code
Title
Credits
WRIT 550
Senior Seminar
4
4

The capstone course for all creative writing majors (and interested creative writing minors). Students will prepare a professional portfolio of their written work with the expectation that it meet the demands of graduate school, employment or the marketplace. Required for senior creative writing majors; others by successful completion of WRIT-350. 4 SH.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

N/A
Program Elective
4
4

Creative Writing

Choose from a variety of elective courses within this program to customize your goals.

Creative Writing Courses

WRIT 200
Introduction to Creative Writing
4
4

In this course, students write stories, poems and creative non-fiction. As T.S. Eliot teaches us in “Tradition and the Individual Talent,” there is no ultimate separation between understanding and practicing an art. By studying published authors, we will learn about the forms, techniques, elements and processes associated with writing a work of literature. By composing original creative work, we all become more skilled readers and critics. Experiment with form, voice, structure, character, image and setting and undertake processes like idea development, writing first drafts, getting and receiving peer and professional feedback. This course should not be taken by creative writing majors. Prerequisites: Sophomore standing or second-semester students who have successfully completed Writing and Thinking. 4 SH. CC: Literary Expression, Writing Intensive.

WRIT 240
Introduction to Genre Writing
4
4

This workshop writing course introduces students to the craft of various types of writing, including screenwriting, children’s literature and science fiction. Genres may vary, depending on semester and instructor expertise. 4 SH. CC: Artistic Expression when the topic is Experimental Writing.

WRIT 241
Environmental Writing
4
4

In this hands-on course students will develop creative writing projects around specific, local, environmentally important/precarious sites. In doing so, students will perform both traditional academic (scientific/historical) and experiential (place-based/creative) research that evolves into works of poetry, fiction, creative non-fiction or cross-genre work. In this course you will dwell in the space between and including environmental studies and creative writing, developing your own voice and vision as witness to environmental change and trauma. 4 SH.

WRIT 250
Topics in Creative Writing
4
4

Introductory workshop course in the study and practice of genre topics other than fiction, poetry and creative nonfiction. 4 SH. CC: Team Intensive, Writing Intensive. May be repeated as long as the topic changes.

WRIT 251
Introduction to Fiction
4
4

Introductory workshop course in the study and practice of fiction. 4 SH. CC: Team Intensive, Writing Intensive.

WRIT 252
Introduction to Poetry
4
4

Introductory workshop course in the study and practice of poetry. 4 SH. CC: Team Intensive, Writing Intensive.

WRIT 253
Introduction to Creative Nonfiction
4
4

Introductory workshop course in the study and practice of creative nonfiction. 4 SH. CC: Team Intensive, Writing Intensive.

WRIT 260
The Choreopoem
4
4

Inspired by the original choreopoem by Ntozake Shange, this course introduces the choreopoem form, investigating the concept of the living text as it applies to collaboration across multiple disciplines. Using literary analysis, creative writing and theatre, students research the choreopoem form, write one as a class and publicly perform it, reflecting on the tension of intention versus impact in performance spaces. Same as AFRC-260 and THEA-260. Sophomore or higher standing required. 4 SH. CC: Interdisciplinary, Diversity Intensive, Team Intensive.

WRIT 270
Small Press Publishing and Editing
4
4

An introductory workshop course in the study and practice of publishing and editing for small presses; includes both historical study of the industry and hands-on publishing and editing projects. 4 SH. CC: Artistic Expression.

WRIT 350
Intermediate Creative Writing
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere. This course builds upon what students learned in WRIT-250 Introduction to Creative Writing. It includes intensive reading of literature in the genre being studied. Special emphasis on the development of a body of work. Genre topics include all those other than fiction, poetry, and creative nonfiction. Prerequisite: WRIT-250 or instructor’s permission. 4 SH. CC: Literary Expression, Team Intensive, Writing Intensive. May be repeated as long as the topic changes.

WRIT 351
Intermediate Fiction
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere. This course builds upon what students learned in WRIT-250 Introduction to Fiction. It includes intensive reading of fiction. Special emphasis on the development of a body of work. Prerequisite: WRIT-251 or instructor’s permission. 4 SH. CC: Team Intensive, Writing Intensive. May be repeated as long as the topic changes.

WRIT 352
Intermediate Poetry
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere. This course builds upon what students learned in WRIT-250 Introduction to Poetry. It includes intensive reading of poetry. Special emphasis on the development of a body of work. Prerequisite: WRIT-252 or instructor’s permission. 4 SH. CC: Team Intensive, Writing Intensive. May be repeated as long as the topic changes.

WRIT 450
Advanced Creative Writing
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere, along with intensive reading in the genre. Special emphasis on the development of a significant body of work in preparation for an understanding of what is required to write a book in the genre being studied. Genre topics include all those other than fiction, poetry, and creative nonfiction. Prerequisite: WRIT-350 or instructor’s permission. 4 SH. May be repeated.

WRIT 451
Advanced Fiction
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere, along with intensive reading in fiction. Special emphasis on the development of a significant body of work in preparation for an understanding of what is required to write a fiction book. Prerequisite: WRIT-351 or instructor’s permission. 4 SH. May be repeated.

WRIT 452
Advanced Poetry
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere, along with intensive reading. Special emphasis on the development of a significant body of work in preparation for an understanding of what is required to write a poetry book. Prerequisite: WRIT-352 or instructor’s permission. 4 SH. May be repeated.

WRIT 453
Advanced Creative Nonfiction
4
4

An intensive, rigorous discussion of student writing in a workshop atmosphere, along with intensive reading. Special emphasis on the development of a significant body of work in preparation for an understanding of what is required to write a creative nonfiction book. Prerequisite: WRIT-353 or instructor’s permission. 4 SH. May be repeated.

WRIT 500
Independent Study
1-4
1-4

Independent research and writing under the supervision of an appropriate member of the department. 1-4 SH.

WRIT 520
Practicum
2-4
2-4

Applied projects in writing under the supervision of an appropriate member of the department. Prerequisites: 24 semester hours in WRIT 200 and 300-level courses, 48 semester hours with at least a 3.0 GPA in the major, and departmental approval. 2-4 SH.

WRIT 540
Internship
1-4
1-4

Research, writing and editing for various public and private organizations, and various on and off campus publications. Open only when positions are available. 2-4 SH.

WRIT 550
Senior Seminar
4
4

The capstone course for all creative writing majors (and interested creative writing minors). Students will prepare a professional portfolio of their written work with the expectation that it meet the demands of graduate school, employment or the marketplace. Required for senior creative writing majors; others by successful completion of WRIT-350. 4 SH.

WRIT 590
Departmental Honors
4
4

Completion of a suitable portfolio of fiction, poetry, drama or creative nonfiction, by invitation of the department only, and in accordance with departmental honors guidelines. 4 SH.

English Courses

ENGL 190
Introduction to Modern Publishing
4
4

An introduction to the history of modern publishing, the art and business of producing books (including current trends and problems) and the practical knowledge and critical skills needed to pursue employment in the industry. 4 SH.

ENGL 205
Literature Studies
4
4

Specialized courses surveying a particular theme or topic of literary study and fostering in students the capacity for critical thinking. Texts are chosen according to the interest and expertise of instructors. Recent examples are Wilderness Literature, Beat Literature, Living Writers and Travel Literature. Prerequisite: sophomore standing or second-semester students who have successfully completed FYSE-100 or an equivalent course. 4 SH. CC: Literary Expression, Writing Intensive.

ENGL 240
Literary Themes
4
4

An introductory, historical survey of prominent themes in literature including those related to national, transnational and ethnic literatures. Course topics vary and may include coming of age, human-nature relations, war and revolution, technology, and publishing house culture. Prerequisite: sophomore standing or second-semester first-year students who have successfully completed FYSE-100 or an equivalent course. 4 SH. CC: Literary Expression.

ENGL 245
Comparative Literature of the Americas
4
4

Surveys the literature of one or more cultural groups, both within and outside the United States, including African American, Native American, Latina/Latino, Asian American and others. In every case, factors of race, ethnicity, gender, sexual orientation and class will be of prime consideration. Course selections and course topics vary according to instructor preference. Prerequisite: English and creative writing major or sophomore standing. Satisfies Multicultural/Non-Western requirement. 4 SH. CC: Diversity, Literary Expression.

ENGL 250
World Literature
4
4

Surveys the literature, primarily in translation, of both historical and contemporary world writers, emphasizing the global context of literature. Prerequisite: English and creative writing major or sophomore standing. Satisfies Multicultural/Non-Western requirement. 4 SH. CC: Literary Expression.

ENGL 255
Jewish Literature
4
4

A variable topic survey, in English translation, of the texts, writers, histories and languages that describe Jewish literatures. The course is especially concerned with debates over definitions of “Jewish literature;” the significance of Jewish literary and cultural diversity; and Jewish literary navigations between diaspora and homeland, secularism and religiosity. Readings may include Hebrew and Israeli literature, Yiddish literature, Sephardic literature or Jewish literatures of Europe and the Americas. Same as JWST: 255. Prerequisite: sophomore standing. Satisfies Multicultural/Non-Western requirement. 4 SH. CC: Diversity, Literary Expression.

ENGL 265
Critical Surveys in Forms of Writing
4
4

Courses designed to examine both the formal characteristics of a particular genre and its historical development. Focus of a particular section may be the novel, the short story, drama, poetry, the essay, memoir, epic or popular writing. Prerequisite: English or creative writing major or sophomore standing. 4 SH. CC: Diversity Intensive, Literary Expression, Writing Intensive.

ENGL 269
Copyediting and English Grammar
2
2

A descriptive study of American English grammar and the history of the English language. 2 SH.

ENGL 290
Aesthetics and Interpretation
4
4

Intensive and advanced study of reading and writing about literature. Includes close analysis of literary texts in historic, generic and cultural contexts; study of research methods and writing the research paper; and attention to traditional and recent critical theory. Prerequisite: English or creative writing major or sophomore standing. 4 SH. CC: Artistic Expression, Interdisciplinary, Writing Intensive.

ENGL 295
Voice and Audience
4
4

This course introduces students to academic writing in English studies by exploring varied models of successful scholarly writing. Emphasis is placed on students developing the skills and strategies writers need in order to participate effectively in the diverse conversations that define this field. Prerequisite: FYSE-100 or equivalent course. 4 SH. CC: Writing Intensive.

ENGL 297
Writing and Editing Podcasts
4
4

Students gain hands-on experience in digital publishing and storytelling by contributing to Me/Us/U, a publicly circulated podcast. Working in teams and engaging a variety of analytical and writing practices, students brainstorm, record, edit and publish a series of podcast episodes that circulate on Apple Podcasts and other podcasting platforms. Prerequisites: FYSE-100 or an equivalent course; and ENGL-190. 4 SH.

ENGL 298
Book Reviewing
4
4

An introduction to and an intensive, rigorous workshop in the basic forms of book reviewing: the short book review, the review essay and the longer literary critical essay. The course builds on the writing skills students have learned in ENGL-100 and 200-level courses in literature, and it includes intensive reading in the forms listed above. Prerequisite: sophomore standing and FYSE-100 or an equivalent course. 4 SH.

ENGL 299
Professional & Civic Writing
4
4

This course offers experience in the theory and practice of professional writing (writing that occurs in the workplace, especially in businesses, in government and for nonprofits). While the course is required for students in the Publishing and Editing emphasis of the Department of English and Creative Writing, students from other majors are welcome. Students will first choose a company or organization for which they would like to write. They will then gain experience writing a wide range of genres such as letters and memos; feature stories, interviews and biographical sketches; press kits; flyers and brochures; and proposals. We will also study the theory of professional writing, including how genres (generally seen as set formulas) evolve over time in response to changing situations; how genres engage power relations; and how genres can be made more open to divergent points of view. Prerequisite: FYSE-100 or an equivalent course. 4 SH. CC: Writing Intensive.

ENGL 350
Studies in Major Authors
4
4

A study of literary works by a single author or perhaps of two writers whose works may be studied in tandem. By reading a number of texts by a single author, students will come to understand individual works better and will gain insight into the author’s particular vision and sense of literary craft. Offerings are likely to include Chaucer, Shakespeare, Milton, Twain, Austen, Dickinson and Morrison. 4 SH. CC: Writing Intensive.

ENGL 355
Studies in Anglophone Literature
4
4

A study of literature written originally in English by writers from countries other than the United States and Britain. The course may include writers from Canada, Ireland, the Indian subcontinent, the Caribbean and English-speaking countries in Africa. Satisfies Multicultural/Non-Western requirement. 4 SH.

ENGL 361
Studies in Literary Forms
4
4

Advanced courses designed to examine the formal characteristics of a genre as well as the historical factors influencing its development or manifestation at any given moment, and the theoretical approaches to understanding the genre. The focus of a particular section may be the novel, short story, drama, poetry, the essay or autobiography. 4 SH.

ENGL 365
Studies in Literature and Gender
4
4

Courses exploring such topics as women in literature, literature by women, literature and sexuality, the construction of gender in literature and feminist literary theory. Same as WGST-365. 4 SH. CC: Writing Intensive.

ENGL 370
Susquehanna University Press
4
4

An advanced experiential learning course where students apply editing, design and business theories to hands-on practice. Students work for Susquehanna University Press, a professional publisher that seeks to bridge the gap between the creative and business sides of the industry. Students gain real-world experience in copyediting, proofreading, cover design, typesetting, web development, marketing, management, accounting and strategic planning. They also learn how to market their skill sets toward a variety of career paths. Prerequisites: ENGL-190; and WRIT-270 or ENGL-297. 4SH.

ENGL 375
History of the Book
4
4

In this course you will study the book as a material object, a concrete text that is produced, sold, circulated and read. More broadly, we will address the wider social and political pressures that have shaped book production as well as the social and political consequences of producing books and other media. We will first examine manuscripts and manuscript culture through a consideration of the New Testament’s publication history. We will then shift our attention to the medium of print. As a class, we will study the wider implications of the invention of the printing press. What effect, for instance, did print have upon literacy, the rise of natural science, the transformation of religion and the twin concepts of authorship and literary property (copyright)? How did censorship constrain what writers, printers and booksellers were able to publish? Finally, we will study the internet as an engine of change. In many scholars’ estimation, the internet will have a more profound impact upon society than did the printing press. We will try to gauge this impact and to appraise the ways in which hypertext is changing literature, journalism, and, what’s more, how we read and write. Early Period. 4 SH.

ENGL 381
Adv Comp: Rhetoric & the Environment
4
4

An interdisciplinary workshop course focusing on the environment. Students explore the way scientists’ knowledge, methods and values have informed public rhetoric and scholarly rhetorical criticism, as well as the ways that rhetorical criticism and awareness have in turn had an impact on scientific discourse. Fundamental to the course is the crafting of students’ written arguments in response to readings and personal involvement with environmental issues. The process of writing these arguments is informed by research from the field of composition and models the best practices of that field, making this course useful for future teachers and professional writers, as well as to those who are interested in environmental issues. Prerequisite: sophomore standing. 4 SH. CC: Interdisciplinary, Writing Intensive.

ENGL 382
Reading/Writing/Teaching Difference
4
4

Students explore the ways that difference impacts everyone’s experiences of reading, writing, teaching and learning. “Difference” includes gender, race, class, religion, ability, sexuality, and national origin, among other factors. This interdisciplinary course uses readings and concepts from the fields of education, literature and composition and rhetoric. Students will apply these concepts and readings to their own or to others’ reading, writing and learning experiences inside and/or outside of the traditional classroom. Prerequisite: sophomore standing and FYSE-100 or an equivalent course. 4 SH. CC: Interdisciplinary, Diversity Intensive.

ENGL 383
Peer Tutoring in Writing
4
4

This class introduces students to the theory, research and practices of writing tutoring by engaging with scholarship in writing studies while providing practical experience by providing tutoring support in the Writing Center at The Center for Academic Success or in embedded placements in First Year Seminar or Writing Intensive classes across the curriculum. Students will explore theories of learning writing, supporting student writers and developing their own mentoring and leadership styles. Prerequisites: FYSE-100 or equivalent course and instructor permission. 4 SH. CC: Diversity Intensive.

ENGL 385
Making Democracy Work
4
4

In these polarized times, how can citizens learn to cooperate or communicate across political camps and parties? We will use the field of politics to understand the evolution of democratic ideals from ancient Greece to Contemporary America and to provide empirical means to explore actual trends in political behavior. We will also learn rhetorical concepts that help us create better dialog and more carefully judge the political claims made by others. Students will engage in hands-on community projects to help them implement what they learn outside of the classroom. Prerequisites: sophomore standing and FYSE-100 or an equivalent course. 4 SH.

ENGL 388
Publishing: Ethics/Art/Politics
4
4

This course explores the cultural, political and commercial functions of publishing. We explore how published texts ask us to take on certain ethical roles as art critics, citizens and consumers. We start by reading Addison and Steele’s Spectator; next we examine Jurgen Haberma’s theory that newspapers’ publication of literary criticism helped enable democratic government; finally, we consider the ways changes in marketing, new formats like the internet and increases in profitability have obscured the political purposes that may have been served in publishing. Pre-requisite: junior standing; publishing & editing majors and minors; ENGL-190; at least 8 SH at 200-level or above; FYSE-100 or equivalent course. 4 SH. Capstone. CC: Ethics Intensive, Writing Intensive.

ENGL 390
Special Themes and Topics
1-4
1-4

Occasional offerings of specialized courses exploring subjects of serious interest to faculty members and to students. 4 SH. CC: Writing Intensive. When the topic being offered is Race and Identity in U.S. Literature, the course is Diversity Intensive and Ethics Intensive but not Writing Intensive.

ENGL 397
Digital Publishing
4
4

This course provides an introduction to the theories, platforms, and tools of digital publishing. Students will learn about the various formats and technologies used in digital publishing, including e-books, audiobooks, and web publishing. They will explore the tools and techniques used to create, design, and distribute digital content. Prerequisites: ENGL 297 or WRIT 270. 4 SH.

ENGL 440
Applied Knowledge in the Discipline
4
4

The capstone course for the major focuses on post-graduate preparation and applying knowledge and skills to projects related to core subjects in the discipline: reading, writing, critical thinking and producing and transmitting cultural knowledge. Prerequisites: senior standing for literature track; junior or senior standing for secondary-education track; and at least eight hours at 200 level or above. 4 SH. Capstone. CC: Writing Intensive

ENGL 500
Directed Reading and Research
1-4
1-4

Independent research and writing under the supervision of an appropriate member of the department. Prerequisites: 24 semester hours in ENGL-200 and 300-level courses, 48 total semester hours with at least a 3.0 GPA in the major and department approval. 2-4 SH.

ENGL 505
Independent Study
1-4
1-4

Independent research and writing under the supervision of an appropriate member of the department. Prerequisites: 24 semester hours in ENGL 200- and 300-level courses, 48 total semester hours with at least a 3.0 GPA in the major, and departmental approval. 2-4 SH.

ENGL 520
Practicum
1-6
1-6

Applied projects in language, literature or craft, including supervised work in literacy projects, in writing projects, at public and school libraries, in shelters and in public institutions. The Susquehanna University Office of Volunteer Programs provides contacts. May apply for major or minor credit to a maximum of four semester hours, depending on the nature of the project. Prerequisites: 24 semester hours in ENGL 200- and 300-level courses, 48 total semester hours with at least a 3.0 GPA in the major, and departmental approval. S/U grade. 2-4 SH.

ENGL 540
Internship
1-4
1-4

Research, writing and editing for various public and private organizations, and various off- and on-campus publications. Open only when positions are available. May apply for major or minor credit to a maximum of four semester hours, depending on the nature of the internship. Prerequisites: 24 semester hours in ENGL 200- and 300-level courses, 48 total semester hours with at least a 3.0 GPA in the major and department approval. 2-4 SH.

When you enroll at Susquehanna, you’ll be paired with an advisor and application tool to guide you in your course planning and scheduling. The following is an excerpt from the complete course catalog. Enrolled students follow the requirements of the course catalog for the academic year in which they declare each major and/or minor, consult with their advisor(s).


English and Creative Writing Studies

Students in English and Creative Writing study literature from three different perspectives: as writers, readers, and editor-entrepreneurs. Foundational courses taken by all students in the first and second years show how literary history, literary theory, and literary diversity are integral to formal concerns and to emerging digital contexts. These provide a common learning experience. After the foundational courses, English-Literature and English-Secondary Education majors take advanced seminars in literary history and theory; English-Publishing & Editing majors take advanced courses in literary criticism and professional skills; and Creative Writing majors take advanced writing workshops. Coursework in each major is completed through a capstone experience. English-Literature and English- Secondary Education majors pursue an independent research project; English-Publishing & Editing majors take a course in which they reflect on the cultural, political, and commercial functions of publishing; and Creative Writing majors prepare a portfolio of their original work.

Students in the English and Creative Writing Department may, with department head approval, complete more than one major and/or minor in the department. Students may double-count a maximum of 28 semester hours toward another major in the department.

Learning Goals

  • Critical thinking: originality and appreciation of nuance
  • Interpretation: history, theory and criticism
  • Literacy: reading, intertextuality and cosmopolitanism
  • Style: rhetoric, genre and audience

Major in Creative Writing Major

46-48 semester hours with grades of C- or better.

4    WRIT-251 Introduction to Fiction

4    WRIT-252 Introduction to Poetry

4    WRIT-253 Introduction to Creative Nonfiction

8    Intermediate creative writing workshops chosen from:

WRIT-351 Intermediate Fiction
WRIT-352 Intermediate Poetry
WRIT-353 Intermediate Creative Nonfiction

4    Advanced creative writing workshops chosen from:

WRIT-451 Advanced Fiction
WRIT-452 Advanced Poetry
WRIT-453 Advanced Creative Nonfiction

4    WRIT-550 Senior Seminar

2-4  WRIT-520 Practicum
or  WRIT-540 Internship

8   ENGL-265 Forms of Writing, with no repetition of genre and no limitation of topic within the course topics listed below:

ENGL-265 Novel
ENGL-265 Short Story
ENGL-265 Formal Structure of Poetry
ENGL-265 Narrative Poetry
ENGL-265 Lyric Poetry
ENGL-265 Prose Poetry/Lyric Essay
ENGL-265 Personal Essay
ENGL-265 Memoir
ENGL-265 Literary Journalism
ENGL-265 Popular Writing

4    ENGL-290 Aesthetics and Interpretation

4    ENGL courses at the 300-level other than ENGL-381, ENGL-382, and ENGL-388

Note: A student is required to participate in a senior reading and to produce a senior chapbook in order to graduate with a creative writing major.

Secondary Teaching Certification

The creative writing secondary education major emphasizes literature and creative writing courses that will be most valuable in preparing students for a career in teaching. Courses are organized to develop not only the writing skills of the student, but also to enhance the ability to teach creative writing and literature. Courses in literature are chosen specifically to enable students to master the core of literature needed to both succeed on standardized examinations required of teaching candidates and to be familiar with secondary school curricula.

This major is offered by the Department of English and Creative Writing in conjunction with the Department of Education. It is designed to be a program leading to teacher certification, and students formally apply to the teacher education program by February of their sophomore year or as soon after that as possible. At the time of application, the candidate must have at least a 3.00 overall GPA and a 3.00 English GPA.

Secondary Teaching Certification Coursework required by the state of Pennsylvania for admission to the teacher certification program includes successful completion of FYSE-100 or equivalent course (having learning goals related to English composition), at least 3 semester hours in British or American literature, at least 6 semester hours of mathematics coursework (or other courses which satisfy the Central Curriculum Analytical Thought requirement) and at least one 40-hour externship.

Education course requirements for secondary education are EDUC-101 Introduction to Education and Society, EDUC-250 Educational Psychology, EDUC-260 Introduction to Special Education, EDUC-270 Instruction of Exceptional Students, EDUC-330 Technology in Education, EDUC-350 English Language Learners, EDUC-380 Instructional Design, EDUC-421 Methods of Curriculum, Instruction, and Assessment in Teaching English, EDUC-479 Principles of Learning and Teaching in Secondary Education, EDUC-483 Differentiated Instruction and Classroom Management in Secondary Education, and the EDUC-500 Student Teaching Package (EDUC-501, EDUC-502, EDUC-503, and EDUC-600).

Requirements for the Creative Writing Secondary Education Major

44 semester hours in Department of English and Creative Writing courses with grades of C- or better.

4    WRIT-251 Introduction to Fiction

4   WRIT-252 Introduction to Poetry

4   WRIT-253 Introduction to Creative Nonfiction
(These 200-level courses must be completed before the end of the student’s junior year.)

4   Intermediate creative writing workshops chosen from:

WRIT-351 Intermediate Fiction
WRIT-352 Intermediate Poetry
WRIT-353 Intermediate Creative Nonfiction

4   Advanced creative writing workshops chosen from:

WRIT-451 Advanced Fiction
WRIT-452 Advanced Poetry
WRIT-453 Advanced Creative Nonfiction

4   ENGL-290 Aesthetics and Interpretation

4   WRIT-550 Senior Seminar

4   ENGL-265 Forms of Writing

12   Advanced study courses chosen from ENGL-300 to ENGL- 390 range.
4 semester hours of this work must be in an early period course, defined as pre-1865 America or pre-1789 British. Creative writing-secondary education majors are strongly encouraged to fulfill this early period requirement via ENGL-350 Major Authors: Shakespeare. A further 4 semester hours must be multicultural/non-Western.

Note: The Department of Education requires a cumulative grade point of 3.00 overall and in the major. Also, a student is required to participate in a senior reading and to produce a senior chapbook in order to graduate with a creative writing major.

Major GPA Calculation

For the purposes of calculating the required 2.00 minimum GPA in any of the four majors offered by the department, the English and Creative Writing Department uses all of the major courses with the ENGL and WRIT prefixes.

When you enroll at Susquehanna, you’ll be paired with an advisor and application tool to guide you in your course planning and scheduling. The following is an excerpt from the complete course catalog. Enrolled students follow the requirements of the course catalog for the academic year in which they declare each major and/or minor and consult with their advisor(s).


Minor in Creative Writing

Creative writing minors complete, with grades of C- or better, at least 20 semester hours beyond FYSE-100 and including a WRIT 300-level, intermediate workshop class. The remaining courses are chosen with guidance and approval of the departmental minor advisor from departmental offerings that are part of the creative writing major. See the course descriptions for information about which courses may be repeated. COMM-131 Introduction to Journalism also satisfies requirements of the minor. Declaration of a creative writing minor requires submission of a six- to eight-page creative writing sample to the director of creative writing. Select members of the creative writing faculty will review this sample to ensure that students have the ability to succeed in this minor. Note that approval of a creative writing minor does not guarantee a place in workshop classes. The creative writing minor is not open to students pursuing the creative writing major.

  • Author
  • Blogger
  • Columnist
  • Communications consultant
  • Copywriting
  • Creative director
  • Editing
  • Journalism
  • Law
  • Library sciences
  • Literary agent
  • Marketing
  • Postsecondary teacher
  • Professor
  • Proofreading
  • Public relations
  • Publishing
  • Screenwriter
  • Social media management
  • Social media specialist
  • Speechwriter
  • Technical writer

Straight from the Nest

Sarah Ledet
Lia Purpura
Arabella McClendon

“Majoring in both creative writing and publishing & editing has prepared me for the job market and graduate school. Susquehanna University offers one of the only publishing and editing programs in the country, so having that on my résumé is a unique advantage. It’s exciting to tell people I have experience in publishing and editing, not just an English degree.”

Sarah Ledet ’25

“Susquehanna’s writing program is extraordinary. The students are talented, committed and supportive, while the faculty are exceptional both as teachers and accomplished poets, essayists and fiction writers on a national and international level.”

Lia Purpura, Guggenheim Fellow, author of On Looking and Rough Likeness

“I chose Susquehanna for its creative writing program. I want to pursue a writing career, so it was important to me that my school offers a creative writing major. Many schools have minors, but Susquehanna offers a strong major. That’s why I chose it.”

Arabella McClendon ’27

Go beyond the classroom

A creative writing program can take you to exciting new places. Discover how Susquehanna University’s study-abroad opportunities enhance your literary education.

A person in a blue shirt, immersed in the art of creative writing, speaks at a podium with a microphone, smiling. Behind them, a vibrant balloon arch of orange, yellow, and white bursts with color. In the background, "Est. 2024" is inscribed on a whiteboard as eager audience members listen intently.

Creative Writing Scholarships

Creative writing students gain access to countless opportunities at Susquehanna, including scholarships to further their academic experiences. Scholarships include the Gary and Elizabeth Fincke Portfolio Prize, Juliet Gibson Memorial Prize, Kirkland Essay Prize, Janet C. Weis Prize for Literary Excellence, Fine Arts Work Center Scholarships and more.

A person with glasses and long hair sits in a cozy library, perhaps pondering English literature as they gaze out the window. They wear a blue top and white shawl, with a watch on one wrist. The green potted plants and bookshelves enhance the tranquil atmosphere.

Janet Weis ScholarshipS

Ten Janet Weis Scholarships of $5,000 each will be offered to first-year creative writing majors based upon the quality of their writing portfolio.

This scholarship is renewable for a total of four years as long as the recipient is enrolled full-time as a creative writing major and maintains a 3.2 grade point in the major.

Candidates are encouraged to submit portfolios of 5-10 pages within two weeks of applying to the university, but no later than Feb. 15.

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